TEXT Special Issue No 37



	Special Issues Series Number 37 October 2016

	Crime Fiction: The Creative/Critical Nexus Edited by Rachel Franks, Jesper Gulddal and Alistair Rolls

	Rachel Franks, Jesper Gulddal and Alistair Rolls Editorial Carolyn Beasley Writing a murderous mother: a case study on the critical applications of creative writing research to crime fiction Rachel Franks Learning all the tricks: critiquing crime fiction in a creative writing PhD Jason Bainbridge Lawyer as critic: analysing the legal thriller through the works of Grisham, Gardner and Lee Donna Lee Brien and Rachel Franks Trial by jury and newspaper reportage: re-writing women’s stories from legal transcripts and contemporaneous journalism Alistair Rolls Creative, critical, intertextual: Agatha Christie’s The Murder of Roger Ackroyd Heath A Diehl ‘There are times when an old rule should be abandoned, or a current rule should not be applied’: narration, innovation and hardboiled fiction in Sue Grafton’s “T” is for Trespass Matthew McGuire Narratives of apprehension: crime fiction and the aftermath of the Northern Irish Troubles Jean Anderson Something old, something new, something borrowed: imitation, limitation and inspiration in French crime fiction Jamie Popowich The endangered species list: the mercurial writing of Charles Willeford and the strange case of The Shark-Infested Custard KA Laity Subtle hues: character and race in Dorothy B. Hughes’ The Expendable Man Leigh Redhead There was nothing, there was nowhere to go: writing Australian rural noir Jesper Gulddal and Alistair Rolls Detective fiction and the critical-creative nexus

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	TEXT Special Issue No 37 Crime Fiction: The Creative/Critical Nexus October 2016 http://www.textjournal.com.au Editors: Rachel Franks, Jesper Gulddal and Alistair Rolls TEXT Special Issues Editor: Donna Lee Brien. Assistant Special Issues Editor: Dallas John Baker General Editor: Nigel Krauth text@textjournal.com.au