Patrick Allington, Piri Eddy and Melanie Pryor
Introduction: ‘Climates of Change’, papers from the 2017 AAWP annual conference
Rosemary Williamson
Writing, water and woe: the natural environment in Australian Women’s Weekly feature articles on flood, 1934-2011
Paul Munden and Anouska Zummo
The Four Seasons in flux: Interpreting Nigel Kennedy through a hybrid biography
Cat Sparks and Rose Michael
Why speculate – the current state of ‘spec-fic’ publishing
Debra Wain and Penelope Jane Jones
Food, Fears and Anxieties in Climate Change Fiction
Ian McHugh
The narrative of assemblage (and the assemblage of narrative)
Sue Joseph and John Dale
To edit or not to edit? Why is editing academic collections not recognised in the Humanities?
Ariella Van Luyn and Robyn Glade-Wright
Changing tertiary landscapes for the artist-academic: towards a framework for nurturing creative arts research beyond the PhD
Shady Cosgrove
Size matters: class numbers and the creative writing workshop
Kay Are
Touching stories: Objects, writing, diffraction and the ethical hazard of self-reflexivity
Julian Novitz
Digital publishing and the Australian novella: considering the Impact of Nick Earls’ The Wisdom Tree Sequence
Leanne Dodd
The perfect crime: trauma writing strategies in crime fiction
Kerstin Kugler
‘Faith, Love, and Hope’: reading the maturation process in Matthew Quick’s Sorta Like a Rock Star through a Kristevan lens
Janice Simpson
Our Father, Who Art in Heaven: reflecting on how Christian text can influence nonfiction writing