TEXT

The Journal of the Australian Association of Writing Programs
http://www.griffith.edu.au/school/art/text/

INDEX OF TEXT - by subject

This subject index is a work in progress (last updated April 2005). It was initially compiled by Dr Inez Baranay in 2004 under funds made available from Grifith Unviersity, School of Arts. We invite suggestions regarding the listing of articles. Please email these to text@griffith.edu.au

BY SUBJECT
Not including reviews, poems and creative writing pieces

AB CDEFG H I J K L M N O P Q R S T U V W X Y Z

AAWP (Association of Australian Writing Programs)

Establishment and context of
Editorial Vol 3 No 1 April 1999

Questions about in 2003
Editorial Vol 7 No 2 October 2003

Small slow growth in early 2000
Editorial Vol 3 No 2 October 1999

Affect

Fictocriticism, Affect, Mimesis: Engendering Differences
Anna Gibbs Vol 9 No 1 April 2005

 

Artists' practice, research and theory

Stewart Vol 7 No 2 October 2003

Assessment

and Awarding creative writing degrees
Brady Vol 4 No 1 April 2000

Assessment in recorded voice format
West Vol 6 No 2 October 2002

Assessment of Creative Writing
Kroll Vol 1 No 1 April 1997

of Creative thesis and exegesis
Kroll Vol 3 No 2 October 1999

Freiman, Marcelle Vol 6 No 2 October 2002
Learning through Dialogue: Teaching and assessing creative writing online

Kroll, Jeri Vol 8 No 2 October 2004
The Role of the Examiner: Scholar, Reviewer, Critic, Judge, Mentor

see also: Creative writing: Assessment

Australian Publishing

The Internationalisation of a Manuscript: Finding the potent generic
Donna Lee Brien and Tess Brady Vol 8 No 2 October 2004

Autobiography and childhood reading

Maps, Writing and Autobiography: Explorations in Ransomania
David Homer Vol 8 No 2 October 2004

Autobiography, Writing of

see Life writing

Lives and the writer's pact
Claire Woods Vol 8 No 2 October 2004

Bards and spin doctors

continuities
Stockwell Vol 4 No 2 October 2000

Biography, Writing of

Lives and the writer's pact
Claire Woods Vol 8 No 2 October 2004

Canada

Writing programs
Editorial Vol 7 No 1 April 2003

Writing programs, overview of
Guppy Vol 7 No 1 April 2003

Cartography

Maps, Writing and Autobiography: Explorations in Ransomania
David Homer Vol 8 No 2 October 2004

Character

It's the other who makes my portrait: Writing self, character and the other
Inez Baranay Vol 8 No 2 October 2004

Children's publishing see Publishing, children's

Closure see Fiction and endings

Collaboration

Categorising forms of
Brady & Brien Vol 7 No 2 October 2003

Collaborative learning

in Higher Education
Alderman Vol 4 No 1 April 2000

Collaborative Writing

The Internationalisation of a Manuscript: Finding the potent generic
Donna Lee Brien and Tess Brady Vol 8 No 2 October 2004

Commercial writing

Teaching
Mitchel Vol 1 No 1 April 1997


Community

and Modernist poetry
Kelen Vol 4 No 1 April 2000

Online community writing project
Sondheim Vol 5 No 1 April 2001

Writing and publishing project
Hutchison Vol 2 No 1 April 1998

c. Writing and a Bachelor of Arts degree
Philips Vol 2 No 1 April 1998

Community groups

Women and
Travers Vol 1 No 2 October 1997

Writing project, outcomes and processes
Bolitho Vol 3 No 2 October 1999

Creative Led Practices

Connecting Two Research Strategies: A hybrid model
Alyssa Ryan Vol 9 No 1 April 2005

Creative non-fiction

Account of writing a cnf novel
Crew Special issue No 1 April 2000

Australian cnf: introduction
Introduction Special issue No 1 April 2000

Conversation with Lee Gutkind on cnf
Gutkind Vol 4 No 1 April 2000

Examples of cnf writing, see contents page Special Issue One:

Gutkind, Lee
Gutkind Vol 4 No 1 April 2000

Interview with Michael Steinberg on cnf
Steinberg Vol 5 No 1 April 2001

Special issue of TEXT on Australian creative non-fiction
contents page Special Issue One:

Steinberg, Michael
Steinberg Vol 5 No 1 April 2001

Creative Thesis

Assessment of
Kroll Vol 3 No 2 October 1999

Creative Writing

and the Academic system
Taylor Vol 2 No 1 April 1998
Taylor Vol 3 No 1 April 1999

and the Avant-garde
Taylor Vol 8 No 1 April 2004

in Canada see: Canada

Contemporary notions about
Brophy Vol 4 No 1 April 2000

and Critical writing
LaFemina Vol 8 No 1 April 2004

and Cultural studies
Webb Vol 4 No 2 October 2000

Development of a discipline
Dawson Vol 5 No 1 April 2001

Doctorates in see : PhDs in Creative Writing

and Electronic Media
Krauth Vol 1 No 1 April 1997

for Foreign learners of English
Kelen Vol 6 No 1 April 2002

International links
Editorial Vol 5 No 1 April 2001

and Literary studies
Woods Vol 6 No 2 October 2002

and the New
Perelman Vol 8 No 1 April 2004

North American programs see MFA Program

Pedagogy: towards a new poetics
Dawson Vol 7 No 1 April 2003

Process
Mitchel Vol 1 No 1 April 1997

and Publishing see: Publishing and Creative Writing programs

and Research see Research

Students see Students Survey

TAFE programs combined with Higher Education Programs
Warfe Vol 5 No 1 April 2001

Teaching: see: Teaching; Pedagogy

in Tertiary institutions
Editorial Vol 1 No 1 April 1997
Editorial Vol 2 No 2 October 1997
Dibble Vol 1 No 1 April 1997
Krauth Vol 4 No 1 April 2000

see also University programs in creative writing

and Theoretical writing
Perry Vol 2 No 2 October 1998
Van Loon Vol 4 No 1 April 2000
Harrison Vol 7 No 1 April 2003

in UK Higher Education 1993-2003
Harper Vol 7 No 2 October 2003

Creativity

Myths of
Freiman Vol 7 No 2 October 2003

Qualities, definitions
Brophy Vol 1 No 1 April 1997

Crime Fiction

and story
Brady Vol 5 No 2 October 2001

Criticism, Renegotiating

Writing/Reading: Renegotiating criticism
Marcelle Freiman Vol 9 No 1 April 2005

Cultural Studies

and creative writing
Webb Vol 4 No 2 October 2000

Cyberpoetry see Poetry

Cyberspace

and Women, see Women and cyberspace

Cyberstudies

Issues in teaching and learning
Zervos Vol 5 No 1 April 2001

see also Online studies

Digital writing and publishing

and the Book
Padmore Vol 6 No 1 April 2002

and Creativity
Hawthorn Vol 1 No 2 OCTOBER 1997

see also Teaching: Digital writing and publishing

Electronic Media

and the Novelist
Krauth Vol 1 No 1 April 1997

see also: Digital writing and publishing Technology

 

Editing

Weight, Jenny; Moya Costello and Philip Paasuke Vol 5 No 1 April 2001
Text and Tech: Coupling in Cyberspace

Entrepreneur


How to Write a 'How to Write' Book: The Writer as Entrepreneur
Jeri Kroll and Steve Evans Vol 9 No 1 April 2005

Exegesis

Assessment of
Kroll Vol 3 No 2 October 1999

and Creative arts research see: E: Creative higher degree e. as meme

and the Creative higher degree and writers
Kroll Special issue No 3 April 2004

Creative higher degree e. as meme
Barrett Special issue No 3 April 2004

Development of understanding of
Editorial Vol 8 No 1 April 2004

Illuminating: an introduction
Fletcher& Mann Special Issue No 3 April 2004

as Meme see: E: Creative higher degree e. as meme

and New knowledge
Bolt Special Issue No 3 April 2004

Positive approach to writing of
Perry Vol 2 No 2 October 1998

Preface as e.
Krauth Vol 6 No 1 April 2002

Problem of e in creative higher degrees: types, issues
Bourke Special Issue No 3 April 2004

Relationship to creative product
Kroll Vol 3 No 2 October 1999
Milechschilo Special Issue No 3 April 2004
Nelson Special Issue No 3 April 2004

Special Issue of TEXT on the Exegesis
Content Special Issue No 3 April 2004

Starting: issues for students and supervisors
Brien Special issue No 3 April 2004

Exploration

Maps, Writing and Autobiography: Explorations in Ransomania
David Homer Vol 8 No 2 October 2004

Feminism

feminist critical theory and hypertext
Comte Vol 4 No 2 October 2000

and Fictocriticism
Gibbs Vol 1 No 2 OCTOBER 1997

Fictocriticism, Affect, Mimesis: Engendering Differences
Anna Gibbs Vol 9 No 1 April 2005

Fiction

and endings
Martin Vol 2 No 2 October 1998
http://www.gu.edu.au/school/art/text/oct98/martin.htm
see also Research Fiction

Fictive certainty

Keane Vol 4 No 2 October 2000

Fictocriticism

and feminism
Gibbs Vol 1 No 2 October 1997

Fictocriticism, Affect, Mimesis: Engendering Differences
Anna Gibbs Vol 9 No 1 April 2005

Foreign learners of English

and creative writing
Kelen Vol 6 No 1 April 2002

Fragments, Fragmentary writing

Lewis Vol 2 No 2 October 1998

Hegel, Authorship

Nudism, multiple personality disorder and the hi-rise novel
Paul Magee Vol 9 No 1 April 2005

History of Creative Writing in universities see: Creative writing: development of a discipline

Honours in Creative Writing

honours students
Kroll Vol 4 No 2 October 2000

Multi-genre/hybrid text in an h. thesis
Woods Vol 4 No 2 October 2000

How to Write Books

How to Write a 'How to Write' Book: The Writer as Entrepreneur
Jeri Kroll and Steve Evans Vol 9 No 1 April 2005

Hybrid Research Methods

Connecting Two Research Strategies: A hybrid model
Alyssa Ryan Vol 9 No 1 April 2005

Hyperfiction

new literary poetics
Comte Vol 5 No 2 October 2001

see also: Hypertext

Hypertext

Challenges to writers from
Brady Vol 3 No 2 October 1999

Critical language and feminist literary theory
Comte Vol 4 No 2 October 2000

and Performative pedagogy
Achilles Vol 7 No 2 October 2003

see also : Cyberstudies
Digital writing and publishing
Hyperfiction

see also: Multimedia

Innovative creative writing strategies

'Irrigorous Uncertainties': Writing, Politics and Pedagogy
Moya Costello Vol 9 No 1 April 2005

International Publication

The Internationalisation of a Manuscript: Finding the potent generic
Donna Lee Brien and Tess Brady Vol 8 No 2 October 2004

Internet

and Literature
Zervos Vol 1 No 2 October 1997

Language

and Politics see: Bards and spin doctors

and Writing
Shapcott Vol 1 No 2 October 1997

Life Writing

Autobiography and "truth"
Brien Vol 6 No 1 April 2002

Teaching - memory into memoirs
Luckie Vol 3 No 1 April 1999

Literary Appropriations

Fiction Writing: Theft or Weft?
Gay Lynch Vol 9 No 1 April 2005

Literary Awards

Australian/Vogel award, investigation into
Brady Vol 6 No 2 October 2002

Literature

and Creative writing students
Van Loon Vol 4 No 1 April 2000

Locating the author

Fiction Writing: Theft or Weft?
Gay Lynch Vol 9 No 1 April 2005

Marketplace

see Publishing: and Creative Writing programs

Memoirs

see Life Writing

Mentoring

as Alternative to curriculum
Cormick Vol 6 No 2 October 2002

Experience and theory of m
Pausacker Vol 6 No 2 October 2002

Survey of creative writing mentorships in Australia 2002
Krauth Vol 6 No 2 October 2002

MFA Program, North America

reflections on
Hayes Vol 2 No 2 October 1998

Mimesis

Fictocriticism, Affect, Mimesis: Engendering Differences
Anna Gibbs Vol 9 No 1 April 2005

Multimedia

Cursors and Crystal Balls: Digital technologies and the futures of writing
Hazel Smith Vol 8 No 2 October 2004

Multiple Personality Disorder

Nudism, multiple personality disorder and the hi-rise novel
Paul Magee Vol 9 No 1 April 2005

Music

Rocknroll: influence on writing
Olsen Vol 3 No 2 October 1999

Neurolinguistics

Neurolinguistic Programming and the Teaching of Creative Writing
Alice Mills Vol 8 No 2 October 2004

New Media

Wark Vol 5 No 1 April 2001

Nonfiction, writing, teaching and supervising

Lives and the writer's pact
Claire Woods Vol 8 No 2 October 2004

Novelists

and Research
Brady & Bourke Vol 2 No 1 April 1998

 

Obituaries see: Writing, Obituaries

 

O'Donnell, James' Avatars of the Word

Discussion of issues arising
Lee & Davis Vol 5 No 2 October 2001

Online community

Writing project see: Community, online writing project

Online Studies

as Effective method for creative writing course
Freiman Vol 6 No 2 October 2002

Course at university of South Australia: rationale and method
Weight, Costello & Paasuke Vol 5 No 1 April 2001

see also: Cyberstudies

Online Writing

an Account of practice
Sondheim Vol 5 No 2 October 2001

Examples of online writing see: Special issue 2: Content Special Issue No 2

Special issue of TEXT on online writing
Content Special Issue No 2

Other

It's the other who makes my portrait: Writing self, character and the other
Inez Baranay Vol 8 No 2 October 2004

Pedagogy

Pedagogy: towards a new poetics
Dawson Vol 7 No 1 April 2003

Performance Texts

Reviewed
Keane Vol 3 No 2 October 1999

PhDs in creative writing

Personal account of writing
Ledgar Vol 5 No 1 April 2001

Relation to 'traditional' doctorates
Dawson Vol 3 No 1 April 1999

Survey of doctorates in Australia, 2000
Krauth Vol 5 No 1 April 2001

The Higher Degree Research Journey as a Three-legged Race
Brian Dibble and Julienne van Loon Vol 8 No 2 October 2004

Place

Place in creative writing teaching
Harrison Vol 3 No 1 April 1999

Playwriting

Action research project
Copeland Vol 2 No 1 April 1998

Poetics

of Epic
Alizadeh Vol 5 No 2 October 2001

Poetry

Adapting to new millenium
Braune Vol 2 No 2 October 1998

Cyberpoetry: definitions, categories
Zervos Vol 1 No 2 October 1997

as Foreign language
Kelen Vol 2 No 1 April 1998

Form poetry, teaching
Braid Vol 7 No 1 April 2003

Online
Zervos Vol 1 No 2 October 1997

Master class at Kenyon, 2000
Kinsella Vol 6 No 1 April 2002

Modernist poetry and community
Kelen Vol 4 No 1 April 2000

Practical vs academic accommodations
Roberts Vol 7 No 1 April 2003

Teaching of p.
Kelen Vol 2 No 2 October 1998

Teaching and writing p.
Harrison Vol 1 No 1 April 1997

White syntax
Roberts Vol 5 No 2 October 2001

Poetry and Poetics

Margins: The poetic text and its theoretical gesturing
Dominique Hecq Vol 9 No 1 April 2005

Politics and Language

see: Bards and spin doctors

Politics and Writing

'Irrigorous Uncertainties': Writing, Politics and Pedagogy
Moya Costello Vol 9 No 1 April 2005

Preface

as Exegesis
Krauth Vol 6 No 1 April 2002
http://www.gu.edu.au/school/art/text/april02/krauth.htm

Professional Writing

as Scholarly activity
Surma Vol 4 No 2 October 2000

Prose Poem

Prose Poem: history, reflection, example
Brophy Vol 6 No 1 April 2002
Letters Vol 6 No 2 October 2002

reading prose poems
LaFemina Vol 7 No 1 April 2003

Publishing

Children's: manufacturing appeal
Sheahan Vol 3 No 1 April 1999

and Creative Writing programs
Edmonds Vol 8 No 1 April 2004

Digital
Hawthorn Vol 1 No 2 OCTOBER 1997

in USA
Hayes Vol 2 No 2 October 1998

see also Australian Publishing

see also International Publishing

Reading

and Computers see: O'Donnell, James' Avatars of the Word

Students and reading habits
Neilsen & Brien Vol 5 No 1 April 2001

Reading and Creative Writing

Writing/Reading: Renegotiating criticism
Marcelle Freiman Vol 9 No 1 April 2005

Research

Artists' research and theory
Stewart Vol 7 No 2 October 2003

and Creative writing in universities, current debates:
Dawson Vol 3 No 1 April 1999

See also: University Programs in Creative Writing:

Creative art or literary research

and Creative writing in universities: accreditation
Kroll Vol 6 No 1 April 2002

and Creative writing in a hybrid text for honours thesis
Woods Vol 4 No 2 October 2000

and Creative writing: relationship
Perry Vol 4 No 2 October 2000

and Narrative
Aquilla Vol 1 No 1 April 1997

Nature of r for creative writing degrees
Brady Vol 4 No 1 April 2000

Brian Dibble and Julienne van Loon Vol 8 No 2 October 2004

and Novelist
Brady & Bourke Vol 2 No 1 April 1998

in Performing, Visual and Creative Arts
O'Toole Vol 2 No 1 April 1998

Practitioner-based model
Stewart Vol 5 No 2 October 2001

see also: Exegesis

Novelists: and research

Playwriting: action research project

Research Experience

Fictional Fears and Guarded Facts: An Experience in Writing a Ficto-Historical Novel
Maria Simms Vol 8 No 2 October 2004

Research Fiction

Research Fiction: definitions and issues
Sallis Vol 3 No 2 October 1999

Fictional Fears and Guarded Facts: An Experience in Writing a Ficto-Historical Novel
Maria Simms Vol 8 No 2 October 2004

Research Journal

Research Journal
Bastow Vol 7 No 1 April 2003

 

Research Methodologies

Connecting Two Research Strategies: A hybrid model
Alyssa Ryan Vol 9 No 1 April 2005

Research Quantum and creative works

Taylor Vol 4 No 2 October 2000

Reviews see separate TEXT index - author and title

Rock'n'roll see Music

Self

It's the other who makes my portrait: Writing self, character and the other
Inez Baranay Vol 8 No 2 October 2004

Setting and Writers see Writers: and Setting

Sibyl myth in creative writing practice

Padmore Vol 4 No 2 October 2000

Student-centred approach See Collaborative learning

Students of Creative Writing

and Depression
Webb Vol 7 No 1 April 2003

Expectations of future income/work see: Writers: Earning a living

Honours students see: Honours in creative writing

Hypertext project
Brady Vol 3 No 2 October 1999

and New media
Wark Vol 5 No 1 April 2001

Why they don't read
Neilsen & Brien Vol 5 No 1 April 2001

see also Survey: of Creative Writing Students 1997

Survey

of Creative Writing Doctorates in Australia, 2000
Krauth Vol 5 No 1 April 2001

of Creative writing mentorships in Australia 2001
Krauth Vol 6 No 2 October 2002

of Creative Writing Students, 1997
Evans & Deller Vol 2 No 2 October 1998

Teaching

Barthes on:
Harrison Vol 3 No 1 April 1999

Commercial writing: see: Commercial writing: teaching

Composing in NSW Secondary Syllabus
Michaels Vol 8 No 1 April 2004

in Cyberspace see: Cyberstudies

Design of undergraduate course
Woods Vol 1 No 2 October 1997

and Digital writing and publishing
Hawthorn Vol 1 No 2 October 1997

Groups: see: Collaborative learning

Issues in
Guest Vol 3 No 1 April 1999

Life writing: see: Life writing: teaching

Originality, creativity
Brophy Vol 1 No 1 April 1997

Online t. and assessment
Freiman Vol 6 No 2 October 2002

Personal accounts of
Mitchel Vol 1 No 1 April 1997
Brophy Vol 2 No 1 April 1998
White Vol 2 No 1 April 1998
Woods Vol 2 No 1 April 1998
Dibble Vol 6 No 2 October 2002
Webb Vol 8 No 1 April 2004

Poetry see: Poetry: teaching

Post-colonial approach
Freiman Vol 5 No 2 October 2001

Rock'n'roll, use of in t.
Olsen Vol 3 No 2 October 1999

Writing/Reading: Renegotiating criticism
Marcelle Freiman Vol 9 No 1 April 2005

Writing teachers
Jach Vol 6 No 1 April 2002

See also: Community writing and a Bachelor of Arts degreee

See also: Creative writing: teaching

See also: Playwriting: Action research project

See also: Textbooks on creative writing

See also: Writers and teaching

See also: Writing Programs

See also: University Programs

Technology

Influence on writing
Olsen Vol 3 No 2 October 1999

Influence on reading and writing discussed
Lee & Davis Vol 5 No 2 October 2001

and Relation to text see: Online studies

See also: Cyberstudies

See also: Digital writing and publishing

See also: Electronic media

Tertiary institutions and creative writing see: University Programs in Creative Writing

Textbooks of creative writing

Jack Hodgins on writing A Passion for Narrative
Hodgins Vol 4 No 2 October 2000

TEXT online journal of creative writing

and Internationalism
Editorial Vol 4 No 2 October 2000

Research library
Editorial Vol 4 No 1 April 2000

see also AAWP

Theory and creative writing

Literary and critical theory
Brophy Vol 4 No 1 April 2000

Relation between
Harrison Vol 7 No 1 April 2003

see also Creative writing: theory

see also Exegesis
see also Teaching: post-colonial approach

trAce project see: Community, online writing project

Translation

History of western theories
Aveling Vol 8 No 1 April 2004

University Programs in Creative Writing

in Canada: overview
Guppy Vol 7 No 1 April 2003

Creative art or literary research
Dawson Vol 2 No 1 April 1998

History of, USA
Chan Vol 6 No 1 April 2002

National mapping, need for
Editorial Vol 2 No 1 April 1998

Review of Australian programs in 2000
Krauth Vol 4 No 1 April 2000

in UK Higher Education 1993-2003
Harper Vol 7 No 2 October 2003

at Victoria University, Wellington
Manhire Vol 6 No 1 April 2002

See also Creative writing: development of a discipline
See also Research Quantum and creative works
See also Writers: and Teaching

Varuna Writers Centre

Writing programs
Brewer Vol 5 No 2 October 2001

Vogel award see Literary awards

Women

and Cyberspace
Bourke Vol 1 No 2 October 1997

Older women and community groups
Travers Vol 1 No 2 October 1997

Writing and publishing project
Hutchison Vol 2 No 1 April 1998

See also Feminism

Writers

and Depression
Webb Vol 7 No 1 April 2003

Earning a living
Kroll Vol 2 No 1 April 1998

and Language: see Language

and Setting
Krauth Vol 7 No 2 October 2003

as Teachers in USA
Chan Vol 6 No 1 April 2002

and Teaching
Travers Vol 3 No 2 October 1999
Jach Vol 6 No 1 April 2002


Writing

Like swimming
James Vol 5 No 1 April 2001

Obituaries
Starck Vol 5 No 2 October 2001

Online see: Online writing

Writing ficto/historical novels

Fictional Fears and Guarded Facts: An Experience in Writing a Ficto-Historical Novel
Maria Simms Vol 8 No 2 October 2004

Fiction Writing: Theft or Weft?
Gay Lynch Vol 9 No 1 April 2005

Writing groups: see Community groups

Writing Obituaries

Obituaries
Starck Vol 5 No 2 October 2001

Writing programs

Role and nature of undergraduate programs
Woods Vol 3 No 1 April 1999

see also University programs
see also Varuna

Writing Workshops

Case studies
Travers Vol 3 No 2 October 1999

Types and methods
Travers Vol 3 No 2 October 1999

 

TEXT
Vol 12 No 1 April 2008
http://www.textjournal.com.au
Editors: Nigel Krauth & Jen Webb
Text@griffith.edu.au