TEXT
Journal of Writing and Writing Courses

Index - by Subject

The subject index may be searched using these Alpha links or the 'Find' button on your browser

AB CDEFG H I J K L M N O P Q R S T U V W X Y Z

Not including reviews, poems or creative writing pieces. This subject index is a work in progress. Initial 2004 compilation (Dr Inez Baranay) funded by Griffith University, School of Arts. 2008 update (Nicola Boyd) funded by the AAWP. We invite suggestions regarding the listing of articles. Please email these to text@griffith.edu.au

To search TEXT by author go to Index by Author

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AAWP (Association of Australian Writing Programs)

Establishment and context of
Editorial Vol 3 No 1 April 1999

Questions about in 2003
Editorial Vol 7 No 2 October 2003

Small slow growth in early 2000
Editorial Vol 3 No 2 October 1999

Affect

Fictocriticism, Affect, Mimesis: Engendering Differences
Gibbs Vol 9 No 1 April 2005

Artists' practice, research and theory

Stewart Vol 7 No 2 October 2003

Assessment

and Awarding creative writing degrees
Brady Vol 4 No 1 April 2000

Assessment in recorded voice format
West Vol 6 No 2 October 2002

Assessment of Creative Writing
Kroll Vol 1 No 1 April 1997

of Creative thesis and exegesis
Kroll Vol 3 No 2 October 1999

Learning through Dialogue: Teaching and assessing creative writing online
Freiman Vol 6 No 2 October 2002

The Role of the Examiner: Scholar, Reviewer, Critic, Judge, Mentor
Kroll Vol 8 No 2 October 2004

see also: Creative writing: Assessment

Australian Publishing

The Internationalisation of a Manuscript: Finding the potent generic
Brien & Brady Vol 8 No 2 October 2004

Autobiography and childhood reading

An autobiography of adolescence
Ashman Vol 11 No 2 October 2007

Maps, Writing and Autobiography: Explorations in Ransomania
Homer Vol 8 No 2 October 2004

Autobiography, Writing of

Lives and the writer's pact
Woods Vol 8 No 2 October 2004

see also: Life writing

Bards and spin doctors

continuities
Stockwell Vol 4 No 2 October 2000

Biography, Writing of

Ethics and interpretive authority
Carey Vol 12 No 2 October 2008

Lives and the writer's pact
Woods Vol 8 No 2 October 2004

Canada

Writing programs
Editorial Vol 7 No 1 April 2003

Writing programs, overview of
Guppy Vol 7 No 1 April 2003

Cartography

Mapping the Textual Genome
Beal Vol 9 No 2 October 2005

Maps, Writing and Autobiography: Explorations in Ransomania
Homer Vol 8 No 2 October 2004

Character

It's the other who makes my portrait: Writing self, character and the other
Baranay Vol 8 No 2 October 2004

Children's publishing see Publishing, children's

Closure see Fiction and endings

Collaboration

Categorising forms of
Brady & Brien Vol 7 No 2 October 2003

Collaborative learning

in Higher Education
Alderman Vol 4 No 1 April 2000

Collaborative Writing

The Internationalisation of a Manuscript: Finding the potent generic
Brien & Brady Vol 8 No 2 October 2004

Collaboration as a response to a chilly research environment
Beck et al Vol 12 No 2 October 2008

the Comic

and the essay
Smith Vol 11 No 2 October 2007

Commercial writing

Teaching
Mitchel Vol 1 No 1 April 1997

Community

and Modernist poetry
Kelen Vol 4 No 1 April 2000

Online community writing project
Sondheim Vol 5 No 1 April 2001

Writing and publishing project
Hutchison Vol 2 No 1 April 1998

c. Writing and a Bachelor of Arts degree
Philips Vol 2 No 1 April 1998

Community groups

Women and
Travers Vol 1 No 2 October 1997

Writing project, outcomes and processes
Bolitho Vol 3 No 2 October 1999

Creative Led Practices

Conceptualising creative writing practice using Pierre Bourdieu's framework
Gonsalves & Chan Vol 12 No 1 April 2008

Connecting Two Research Strategies: A hybrid model
Ryan Vol 9 No 1 April 2005

Research through practice: a reply to Paul Dawson
Nelson Vol 12 No 2 October 2008

Creative non-fiction

Account of writing a cnf novel
Crew Special issue No 1 April 2000

Australian cnf: introduction
Introduction Special issue No 1 April 2000

Conversation with Lee Gutkind on cnf
Gutkind Vol 4 No 1 April 2000

Ethics and interpretive authority
Carey Vol 12 No 2 October 2008

Examples of cnf writing, see contents page Special Issue One:

Food Writing
Brien 12 No 1 April 2008

Gutkind, Lee
Gutkind Vol 4 No 1 April 2000

Interview with Michael Steinberg on cnf
Steinberg Vol 5 No 1 April 2001

Special issue of TEXT on Australian creative non-fiction
contents page Special Issue One:

Steinberg, Michael
Steinberg Vol 5 No 1 April 2001

To the smell of pineapples; writing a Queensland auto-bio-graphie
Rendle-Short Vol 10 No 2 October 2006

Creative Thesis

Assessment of
Kroll Vol 3 No 2 October 1999

the Creative Writer and the Academic/Critic

What is driving writing-academics, just at present?
Editorial Vol 12 No 1 April 2008

Creative Writers on Campus: Dead Spies, Living Lies, 1593 to the Present
Harper Vol 9 No 2 October 2005

Creative Writing

and the Academic system
Magee Vol 10 No 2 October 2006
North Vol 10 No 2 October 2006
Sved Vol 9 No 2 October 2005
Taylor Vol 2 No 1 April 1998
Taylor Vol 3 No 1 April 1999

and the Avant-garde
Taylor Vol 8 No 1 April 2004

Beckettian methodology
Beresford Vol 11 No 1 April 2007

and the benefits of young postgraduate candidates
Lynch Vol 10 No 2 October 2006

in Canada see: Canada

Contemporary notions about
Brophy Vol 4 No 1 April 2000

and Critical writing
LaFemina Vol 8 No 1 April 2004

and Cultural studies
Webb Vol 4 No 2 October 2000

Developing a language to explain the experience of writing
Rendle-Short Vol 11 No 2 October 2007

Developing the voice (of the writer)
Adelaide Vol 11 No 1 April 2007

Development of a discipline
Dawson Vol 5 No 1 April 2001
North Vol 10 No 2 October 2006
Owen Vol 10 No 2 October 2006

Doctorates in see : PhDs in Creative Writing

Dreads and open mouths: On writing/teaching
Rallin Vol 11 No 2 October 2007

and Electronic Media
Krauth Vol 1 No 1 April 1997

exploring links between centos [Community ENTerprise Operating System], the commonplace book, the essay and the weblog
Vesk Vol 12 No 1 April 2008

for Foreign learners of English
Kelen Vol 6 No 1 April 2002

and Genre
Wilkins Vol 9 No 2 October 2005

Imaginary constructions - an exploration of 'fictional truth'
Arnold Vol 11 No 2 October 2007

International links
Editorial Vol 5 No 1 April 2001

and intertextuality
Costello Vol 11 No 2 October 2007

and Literary studies
Woods Vol 6 No 2 October 2002

and the Magazine
Williamson Vol 12 No 1 April 2008

and the New
Perelman Vol 8 No 1 April 2004
Edmonds Vol 11 No 1 April 2007

North American programs see MFA Program

Pedagogy: towards a new poetics
Dawson Vol 7 No 1 April 2003

and politics
Editorial Vol 10 No 1 April 2006
Williams & Webb Vol 12 No 1 April 2008

Political implications of writer's aesthetic choices
Wilcox Vol 11 No 1 April 2007

and postmodern interdisciplinarity
Dawson Vol 12 No 1 April 2008

Process
Mitchel Vol 1 No 1 April 1997

and psychoanalysis
Hecq Vol 12 No 2 October 2008

and Publishing see: Publishing and Creative Writing programs

and Research see Research

Representing Indigeneity
Robins Vol 12 No 1 April 2008

and romantic ego
Edmonds Vol 9 No 2 October 2005

and social critique
Brady Vol 10 No 1 April 2006

and Stageplays (writing for the stage)
Beresford Vol 11 No 1 April 2007

Students see Students Survey

TAFE programs combined with Higher Education Programs
Warfe Vol 5 No 1 April 2001

Teaching: see: Teaching; Pedagogy

in Tertiary institutions
Editorial Vol 1 No 1 April 1997
Editorial Vol 2 No 2 October 1997
Dibble Vol 1 No 1 April 1997
Krauth Vol 4 No 1 April 2000

and Theoretical writing
Perry Vol 2 No 2 October 1998
Van Loon Vol 4 No 1 April 2000
Harrison Vol 7 No 1 April 2003

as Therapy
Murphy & Neilsen Vol 12 No 1 April 2008

in UK Higher Education 1993-2003
Harper Vol 7 No 2 October 2003

and violence
Kissane Vol 12 No 2 October 2008

see also University programs in creative writing

and Workshops as places of sacramental encounters
Boey Vol 9 No 2 October 2005

Creativity

and the Imagination (in creative writing programs)
Rendle-Short Vol 11 No 2 October 2007

Methodology and the creative PhD
Avieson Vol 12 No 2 October 2008

Myths of
Freiman Vol 7 No 2 October 2003
Beal Vol 9 No 2 October 2005

Qualities, definitions
Brophy Vol 1 No 1 April 1997

and travel
Sutherland Vol 12 No 2 October 2008

and value of
North Vol 10 No 2 October 2006

 

Crime Fiction

and story
Brady Vol 5 No 2 October 2001

Criticism, Renegotiating

Writing/Reading: Renegotiating criticism
Freiman Vol 9 No 1 April 2005

Culture and Creative Writing

and critical engagement
Glastonbury Vol 11 No 1 April 2007
Arnold Vol 11 No 2 October 2007

and ethics and writer's responsibility
Freiman Vol 10 No 1 April 2006

and play as research
Opie Vol 11 No 2 October 2007

and poetry
Duggan Vol 10 No 1 April 2006

and politics
Gandolfo Vol 10 No 1 April 2006

Representing Indigeneity
Robins Vol 12 No 1 April 2008

Cultural Studies

and creative writing
Webb Vol 4 No 2 October 2000

Cyberpoetry see Poetry

Cyberspace

and Women, see Women and cyberspace

Cyberstudies

Issues in teaching and learning
Zervos Vol 5 No 1 April 2001

see also Online studies

Digital writing and publishing

and the Book
Padmore Vol 6 No 1 April 2002

and Creativity
Hawthorn Vol 1 No 2 OCTOBER 1997

see also Teaching: Digital writing and publishing

Electronic Media

and the Novelist
Krauth Vol 1 No 1 April 1997

see also: Digital writing and publishing Technology

Editing

Weight; Costello & Paasuke Vol 5 No 1 April 2001
Text and Tech: Coupling in Cyberspace

Entrepreneur

How to Write a 'How to Write' Book: The Writer as Entrepreneur
Kroll & Evans Vol 9 No 1 April 2005

Essay

and the comic
Smith Vol 11 No 2 October 2007

Exegesis

Assessment of
Kroll Vol 3 No 2 October 1999

and auto-bio-graphie
Rendle-Short Vol 10 No 2 October 2006

and Creative arts research see: E: Creative higher degree e. as meme

and the Creative higher degree and writers
Kroll Special issue No 3 April 2004

Creative higher degree e. as meme
Barrett Special issue No 3 April 2004

and creative practice
Woods Vol 11 No 1 April 2007

Development of understanding of
Editorial Vol 8 No 1 April 2004

Illuminating: an introduction
Fletcher & Mann Special Issue No 3 April 2004

as intervention between creative and critical writing
Skrebels Vol 11 No 2 October 2007

as Meme see: E: Creative higher degree e. as meme

and New knowledge
Bolt Special Issue No 3 April 2004

Positive approach to writing of
Perry Vol 2 No 2 October 1998

Preface as e.
Krauth Vol 6 No 1 April 2002

Problem of e in creative higher degrees: types, issues
Bourke Special Issue No 3 April 2004

Relationship to creative product
Kroll Vol 3 No 2 October 1999
Milech & Schilo Special Issue No 3 April 2004
Nelson Special Issue No 3 April 2004

Relationship between student, supervisor and examiner
Woods Vol 11 No 1 April 2007

Special Issue of TEXT on the Exegesis
Content Special Issue No 3 April 2004

Starting: issues for students and supervisors
Brien Special issue No 3 April 2004

Exploration

Maps, Writing and Autobiography: Explorations in Ransomania
Homer Vol 8 No 2 October 2004

Feminism

feminist critical theory and hypertext
Comte Vol 4 No 2 October 2000

and Fictocriticism
Gibbs Vol 1 No 2 OCTOBER 1997

Fictocriticism, Affect, Mimesis: Engendering Differences
Gibbs Vol 9 No 1 April 2005

Festivals, Literary/Writer's

Carnality of literary consumption
Meehan Special Issue Number 4 October 2005

Context and Issues
Llewellyn Special Issue Number 4 October 2005

James Joyce
Devlin-Glass Special Issue Number 4 October 2005

Fiction

and endings
Martin Vol 2 No 2 October 1998
http://www.gu.edu.au/school/art/text/oct98/martin.htm

see also Research Fiction

Fictive certainty

Keane Vol 4 No 2 October 2000

Fictocriticism

and feminism
Gibbs Vol 1 No 2 October 1997

Fictocriticism, Affect, Mimesis: Engendering Differences
Gibbs Vol 9 No 1 April 2005

Foreign learners of English

and creative writing
Kelen Vol 6 No 1 April 2002

Fragments, Fragmentary writing

Lewis Vol 2 No 2 October 1998

Genre

Authors, Readers, Institutions, in context of
Wilkins Vol 9 No 2 October 2005

Hegel, Authorship

Nudism, multiple personality disorder and the hi-rise novel
Magee Vol 9 No 1 April 2005

History

Academic Research and Creative Writing: Redrawing the Map and Finding One's Allies
Owen Vol 10 No 2 October 2006

Creative writers on campus/at universities
Harper Vol 9 No 2 October 2005

Poetry in Australia as part of public culture
McCooey Special Issue Number 4 October 2005

of peer reviewing
Johnston & Krauth Vol 12 No 1 April 2008

see also: the creative writer and the academic/critic

History of Creative Writing in universities see: Creative writing: development of a discipline

Historical Fiction

Faking it: History and Creative Writing
Nelson Vol 11 No 2 October 2007

Fictional Fears and Guarded Facts: An Experience in Writing a Ficto-Historical Novel
Simms Vol 8 No 2 October 2004

Historical Lives in Fiction, Characters in Fiction: Are they the same people?
Sutherland Vol 11 No 1 April 2007

Holocaust in fiction for young people
Page Vol 12 No 1 April 2008

Honours in Creative Writing

honours students
Kroll Vol 4 No 2 October 2000

Multi-genre/hybrid text in an h. thesis
Woods Vol 4 No 2 October 2000

How to Write Books

How to Write a 'How to Write' Book: The Writer as Entrepreneur
Kroll & Evans Vol 9 No 1 April 2005

Hybrid Research Methods

Connecting Two Research Strategies: A hybrid model
Ryan Vol 9 No 1 April 2005

Hyperfiction

new literary poetics
Comte Vol 5 No 2 October 2001

see also: Hypertext

Hypertext

Challenges to writers from
Brady Vol 3 No 2 October 1999

Critical language and feminist literary theory
Comte Vol 4 No 2 October 2000

and Performative pedagogy
Achilles Vol 7 No 2 October 2003

see also : Cyberstudies
see also: Digital writing and publishing
see also: Hyperfiction
see also: Multimedia

Images and writing

Exploring insanity through the figure of the ghost as photographic and a conceptual device
Dennis Vol 9 No 2 October 2005

Innovative creative writing strategies

'Irrigorous Uncertainties': Writing, Politics and Pedagogy
Costello Vol 9 No 1 April 2005

International Publication

The Internationalisation of a Manuscript: Finding the potent generic
Brien & Brady Vol 8 No 2 October 2004

Internet

and Literature
Zervos Vol 1 No 2 October 1997

Language

and Politics see: Bards and spin doctors

and Writing
Shapcott Vol 1 No 2 October 1997

Life Writing

Autobiography and "truth"
Brien Vol 6 No 1 April 2002

Ethics and interpretive authority
Carey Vol 12 No 2 October 2008

Teaching - memory into memoirs
Luckie Vol 3 No 1 April 1999

Literacy

and the discipline of writing
Woods Vol 12 No 2 October 2008

Literary Appropriations

Fiction Writing: Theft or Weft?
Lynch Vol 9 No 1 April 2005

Literary Awards

Australian/Vogel award, investigation into
Brady Vol 6 No 2 October 2002

Literary Criticism

and Journalism
Craven Special Issue Number 4 October 2005

Festivals, Literary/Writer's
Llewellyn Special Issue Number 4 October 2005
Devlin-Glass Special Issue Number 4 October 2005

Literature's decreasing value as an object for academic study
Takolander Special Issue Website Series Number 4 October 2005

see: Genre

Literary Journalism

Journalistic essay, context in critical journalism
Lawson Special Issue Number 4 October 2005

Literary journalism in context of academia
Craven Special Issue Number 4 October 2005

Literary tourism

Ommundsen Special Issue Number 4 October 2005

Literature

and Creative writing students
Van Loon Vol 4 No 1 April 2000

The politics of style
Brophy Vol 12 No 2 October 2008

and Public Culture: Background and context of
Ommundsen Introduction Special Issue Number 4 October 2005

Recontextualising 'old' literature
Hecq Vol 9 No 2 October 2005

Locating the author

Commercialisation/invention of the author
Meehan Special Issue Number 4 October 2005

Fiction Writing: Theft or Weft?
Lynch Vol 9 No 1 April 2005

Literary tourism as a secular religious practice
Ommundsen Special Issue Number 4 October 2005

See: Public Culture: Literary fakes

Marketplace see Publishing: and Creative Writing programs

Memoirs see Life Writing

Mentoring

as Alternative to curriculum
Cormick Vol 6 No 2 October 2002

Experience and theory of m
Pausacker Vol 6 No 2 October 2002

Survey of creative writing mentorships in Australia 2002
Krauth Vol 6 No 2 October 2002

MFA Program, North America

reflections on
Hayes Vol 2 No 2 October 1998

Mimesis

Fictocriticism, Affect, Mimesis: Engendering Differences
Gibbs Vol 9 No 1 April 2005

Multimedia

Cursors and Crystal Balls: Digital technologies and the futures of writing
Hazel Smith Vol 8 No 2 October 2004

Multiple Personality Disorder

Nudism, multiple personality disorder and the hi-rise novel
Magee Vol 9 No 1 April 2005

Music

Rocknroll: influence on writing
Olsen Vol 3 No 2 October 1999

Neurolinguistics

Neurolinguistic Programming and the Teaching of Creative Writing
Mills Vol 8 No 2 October 2004

New Media

Wark Vol 5 No 1 April 2001

Nonfiction

and Research
McVeagh Vol 10 No 1 April 2006

Nonfiction, writing, teaching and supervising

Lives and the writer's pact
Woods Vol 8 No 2 October 2004

Novelists

and Research
Brady & Bourke Vol 2 No 1 April 1998

Obituaries see: Writing, Obituaries

O'Donnell, James' Avatars of the Word

Discussion of issues arising
Lee & Davis Vol 5 No 2 October 2001

Online community

Writing project see: Community, online writing project

Online Studies

as Effective method for creative writing course
Freiman Vol 6 No 2 October 2002

Course at university of South Australia: rationale and method
Weight, Costello & Paasuke Vol 5 No 1 April 2001

see also: Cyberstudies

Online Writing

an Account of practice
Sondheim Vol 5 No 2 October 2001

Examples of online writing see: Special issue 2: Content Special Issue No 2

Exploring links between centos [Community ENTerprise Operating System], the commonplace book, the essay and the weblog
Vesk Vol 12 No 1 April 2008

Special issue of TEXT on online writing
Content Special Issue No 2

Other

It's the other who makes my portrait: Writing self, character and the other
Baranay Vol 8 No 2 October 2004

Pedagogy

Pedagogy: towards a new poetics
Dawson Vol 7 No 1 April 2003

Peer Reviewing

Peer Reviewing: Privilege and responsibility
Johnston & Krauth Vol 12 No 1 April 2008

Performance Texts

Reviewed
Keane Vol 3 No 2 October 1999

PhDs in creative writing

Establishing a philosophical approach to ethical creative practice
Burr Vol 11 No 2 October 2007

Integrational Linguistics and a New Poetics
Brophy Vol 11 No 1 April 2007

Personal account of writing
Ledgar Vol 5 No 1 April 2001

Relation to 'traditional' doctorates
Dawson Vol 3 No 1 April 1999

Survey of doctorates in Australia, 2000
Krauth Vol 5 No 1 April 2001

The Higher Degree Research Journey as a Three-legged Race
Dibble & van Loon Vol 8 No 2 October 2004

Place

Four Writers and their Settings
Krauth Vol 7 No 2 October 2003

Place in creative writing teaching
Harrison Vol 3 No 1 April 1999

Playwriting

Action research project
Copeland Vol 2 No 1 April 1998

Poetics

of Epic
Alizadeh Vol 5 No 2 October 2001

Margins: The poetic text and its theoretical gesturing
Hecq Vol 9 No 1 April 2005

and the politics of style
Brophy Vol 12 No 2 October 2008

Poetry

Adapting to new millenium
Braune Vol 2 No 2 October 1998

Cyberpoetry: definitions, categories
Zervos Vol 1 No 2 October 1997

and composition
LaFemina Vol 10 No 2 October 2006

and effect on culture, language and as an instrument of change
Duggan Vol 10 No 1 April 2006

and ethics and writer's responsibility
Freiman Vol 10 No 1 April 2006

as Foreign language
Kelen Vol 2 No 1 April 1998

Form poetry, teaching
Braid Vol 7 No 1 April 2003

Online
Zervos Vol 1 No 2 October 1997

Master class at Kenyon, 2000
Kinsella Vol 6 No 1 April 2002

Modernist poetry and community
Kelen Vol 4 No 1 April 2000

and the politics of style
Brophy Vol 12 No 2 October 2008

Poetry publishing in Australia
Webb Vol 12 No 2 October 2008

Practical vs academic accommodations
Roberts Vol 7 No 1 April 2003

Teaching of p.
Kelen Vol 2 No 2 October 1998

Teaching and writing p.
Harrison Vol 1 No 1 April 1997

White syntax
Roberts Vol 5 No 2 October 2001

Politics and Language see: Bards and spin doctors

Politics and Writing

Editorial Vol 10 No 1 April 2006

'Irrigorous Uncertainties': Writing, Politics and Pedagogy
Costello Vol 9 No 1 April 2005

The Robust Imagination
Gandolfo Vol 10 No 1 April 2006

'The roof is on fire': The academic writer and social critique
Brady Vol 10 No 1 April 2006

Writing/rights: creative practice and political action
Williams & Webb Vol 12 No 1 April 2008

Preface

as Exegesis
Krauth Vol 6 No 1 April 2002

Professional Writing

as Scholarly activity
Surma Vol 4 No 2 October 2000

Prose Poem

Prose Poem: history, reflection, example
Brophy Vol 6 No 1 April 2002
Letters Vol 6 No 2 October 2002

reading prose poems
LaFemina Vol 7 No 1 April 2003

Public culture

Context of creative writing in university, as discipline
Sved Vol 9 No 2 October 2005

Elitism and canonisation
Devlin-Glass Special Issue Number 4 October 2005

Literary fakes
Takolander Special Issue Website Series Number 4 October 2005

Poetry, cultural positioning in Australia
McCooey Special Issue Number 4 October 2005

see Publishing: Popular

Publishing

and academic writing
Editorial Vol 10 No 2 October 2006

Children's: manufacturing appeal
Sheahan Vol 3 No 1 April 1999

and Creative Writing programs
Edmonds Vol 8 No 1 April 2004
Edmonds Vol 11 No 1 April 2007

Digital
Hawthorn Vol 1 No 2 October 1997

and Holocaust in fiction for young people
Page Vol 12 No 1 April 2008

and market research
Fisher Vol 10 No 1 April 2006

Poetry publishing in Australia
Webb Vol 12 No 2 October 2008

Popular
Freeman Special Issue Number 4 October 2005

in USA
Hayes Vol 2 No 2 October 1998

see also: Australian Publishing
see also: International Publishing

Reading

An autobiography of adolescence
Ashman Vol 11 No 2 October 2007

and Computers see: O'Donnell, James' Avatars of the Word

Students and reading habits
Neilsen & Brien Vol 5 No 1 April 2001
Opie Vol 9 No 2 October 2005

Reading and Creative Writing

An autobiography of adolescence
Ashman Vol 11 No 2 October 2007

exploring links between centos [Community ENTerprise Operating System], the commonplace book, the essay and the weblog
Vesk Vol 12 No 1 April 2008

Literacy and the discipline of writing
Woods Vol 12 No 2 October 2008

and Teaching
Davis & St Vincent Welch Vol 12 No 1 April 2008

Writing/Reading: Renegotiating criticism
Freiman Vol 9 No 1 April 2005

Research

Artists' research and theory
Stewart Vol 7 No 2 October 2003

and collaboration
Beck et al Vol 12 No 2 October 2008

and creative nonfiction
Carey Vol 12 No 2 October 2008

and Creative writing in universities, current debates
Dawson Vol 3 No 1 April 1999

and Creative writing in universities: strategic direction
Webb & Brien Vol 10 No 1 April 2006
Magee Vol 10 No 2 October 2006

See also: University Programs in Creative Writing: Creative art or literary research

Ethics and interpretive authority
Carey Vol 12 No 2 October 2008

and Creative writing in universities: accreditation
Kroll Vol 6 No 1 April 2002

and Creative writing in a hybrid text for honours thesis
Woods Vol 4 No 2 October 2000

and Creative writing: relationship
Perry Vol 4 No 2 October 2000

and creative writing: play as research
Opie Vol 11 No 2 October 2007

and the Magazine
Williamson Vol 12 No 1 April 2008

and market research
Fisher Vol 10 No 1 April 2006

Methodology and the creative PhD
Avieson Vol 12 No 2 October 2008

and Narrative
Aquilla Vol 1 No 1 April 1997

Nature of r. for creative writing degrees
Brady Vol 4 No 1 April 2000

Dibble & van Loon Vol 8 No 2 October 2004

and Novelist
Brady & Bourke Vol 2 No 1 April 1998

through practice: a reply to Paul Dawson
Nelson Vol 12 No 2 October 2008

in Performing, Visual and Creative Arts
O'Toole Vol 2 No 1 April 1998

and politics
Editorial Vol 10 No 1 April 2006

Practitioner-based model
Stewart Vol 5 No 2 October 2001

and Research Quality Framework, Creative Writing
Editorial Vol 9 No 2 October 2005

and social critique
Brady Vol 10 No 1 April 2006

and techniques for non-fiction research
McVeagh Vol 10 No 1 April 2006

and travel
Sutherland Vol 12 No 2 October 2008

see also: Exegesis; Novelists: and research;
Playwriting: action research project

Research Experience

Fictional Fears and Guarded Facts: An Experience in Writing a Ficto-Historical Novel
Simms Vol 8 No 2 October 2004

Research Fiction

Faking it: History and Creative Writing
Nelson Vol 11 No 2 October 2007

Research Fiction: definitions and issues
Sallis Vol 3 No 2 October 1999

Fictional Fears and Guarded Facts: An Experience in Writing a Ficto-Historical Novel
Simms Vol 8 No 2 October 2004

Research Journal

Research Journal
Bastow Vol 7 No 1 April 2003

 

Research Methodologies

Connecting Two Research Strategies: A hybrid model
Ryan Vol 9 No 1 April 2005

Research Quantum and creative works

Taylor Vol 4 No 2 October 2000
Editorial Vol 9 No 2 October 2005
Haseman Vol 11 No 1 April 2007

Rhetorical dexterity

Literacy and the discipline of writing
Woods Vol 12 No 2 October 2008

Rock'n'roll see Music

Self

It's the other who makes my portrait: Writing self, character and the other
Baranay Vol 8 No 2 October 2004

Setting and Writers see Writers: and Setting

Short Story

Influence of technology, layout, grammar and punctuation changes
Moorhouse Special Issue Number 4 October 2005

Sibyl myth in creative writing practice

Padmore Vol 4 No 2 October 2000

Small Press

Poetry publishing in Australia
Webb Vol 12 No 2 October 2008

Student-centred approach See Collaborative learning

Students of Creative Writing

and Depression
Webb Vol 7 No 1 April 2003

Expectations of future income/work see: Writers: Earning a living

Honours students see: Honours in creative writing

Hypertext project
Brady Vol 3 No 2 October 1999

and New media
Wark Vol 5 No 1 April 2001

Romantic ego (obsession with instant fame)
Edmonds Vol 9 No 2 October 2005

Why they don't read
Neilsen & Brien Vol 5 No 1 April 2001

see also Survey: of Creative Writing Students 1997

Style

The politics of style
Brophy Vol 12 No 2 October 2008

Survey

of Creative Writing Doctorates in Australia, 2000
Krauth Vol 5 No 1 April 2001

of Creative writing mentorships in Australia 2001
Krauth Vol 6 No 2 October 2002

of Creative Writing Students, 1997
Evans & Deller Vol 2 No 2 October 1998

Teaching

Barthes on:
Harrison Vol 3 No 1 April 1999

Commercial writing: see: Commercial writing: teaching

Composing in NSW Secondary Syllabus
Michaels Vol 8 No 1 April 2004

in Cyberspace see: Cyberstudies

Design of undergraduate course
Woods Vol 1 No 2 October 1997

Developing the voice (of the writer)
Adelaide Vol 11 No 1 April 2007

and Digital writing and publishing
Hawthorn Vol 1 No 2 October 1997

Draining Creativity: The Teacher-Writer in the Vampire Academy
Kroll Vol 10 No 2 October 2006

Dreads and open mouths: On writing/teaching
Rallin Vol 11 No 2 October 2007

Groups: see: Collaborative learning

in Hong-Kong (Case Study)
Brien Vol 11 No 1 April 2007

and Intertextuality as a pedagogical tool
Costello Vol 11 No 2 October 2007

Issues in
Guest Vol 3 No 1 April 1999

Life writing: see: Life writing: teaching

Literacy and the discipline of writing
Woods Vol 12 No 2 October 2008

Originality, creativity
Brophy Vol 1 No 1 April 1997

Online t. and assessment
Freiman Vol 6 No 2 October 2002

Personal accounts of

Brophy Vol 2 No 1 April 1998
Davis & St Vincent Welch Vol 12 No 1 April 2008
Dibble Vol 6 No 2 October 2002
Mitchel Vol 1 No 1 April 1997
Webb Vol 8 No 1 April 2004
White Vol 2 No 1 April 1998
Wilding Vol 11 No 2 October 2007
Woods Vol 2 No 1 April 1998

Poetry see: Poetry: teaching

Post-colonial approach
Freiman Vol 5 No 2 October 2001

and psychoanalysis
Hecq Vol 12 No 2 October 2008

and Resources for Teachers of Creative Writing
Brien Vol 10 No 1 April 2006

Rock'n'roll, use of in t.
Olsen Vol 3 No 2 October 1999

and the writing of violence
Kissane Vol 12 No 2 October 2008

Writing/Reading: Renegotiating criticism
Freiman Vol 9 No 1 April 2005

Writing-Academics, driving forces
Editorial Vol 12 No 1 April 2008

Writing teachers
Jach Vol 6 No 1 April 2002

See also: Community writing and a Bachelor of Arts degreee
See also: Creative writing: teaching
See also: Playwriting: Action research project
See also: Textbooks on creative writing
See also: Writers and teaching
See also: Writing Programs
See also: University Programs

Technology

Influence on writing
Olsen Vol 3 No 2 October 1999
Moorhouse Special Issue Number 4 October 2005

Influence on reading and writing discussed
Lee & Davis Vol 5 No 2 October 2001

Influence on the cultural value of literature
Hecq Vol 9 No 2 October 2005

and Relation to text see: Online studies
See also: Cyberstudies
See also: Digital writing and publishing
See also: Electronic media

Tertiary institutions and creative writing see: University Programs in Creative Writing

Textbooks of creative writing

Jack Hodgins on writing A Passion for Narrative
Hodgins Vol 4 No 2 October 2000

TEXT online journal of creative writing

and Internationalism
Editorial Vol 4 No 2 October 2000

Research library
Editorial Vol 4 No 1 April 2000

see also AAWP

Theory and creative writing

Literary and critical theory
Brophy Vol 4 No 1 April 2000

Relation between
Harrison Vol 7 No 1 April 2003

see also Creative writing: theory

see also Exegesis
see also Teaching: post-colonial approach

trAce project see: Community, online writing project

Translation

History of western theories
Aveling Vol 8 No 1 April 2004

Travel

Research, travel and creativity
Sutherland Vol 12 No 2 October 2008

University Programs in Creative Writing

in Canada: overview
Guppy Vol 7 No 1 April 2003

Creative art or literary research
Dawson Vol 2 No 1 April 1998

and the cult of readership
Editorial Vol 11 No 1 April 2007

History of, USA
Chan Vol 6 No 1 April 2002

National mapping, need for
Editorial Vol 2 No 1 April 1998

postgraduate, different levels of experience in candidates
Lynch Vol 10 No 2 October 2006

Creative writing and postmodern interdisciplinarity
Dawson Vol 12 No 1 April 2008

Review of Australian programs in 2000
Krauth Vol 4 No 1 April 2000

in the RQF Environment
Haseman Vol 11 No 1 April 2007

in UK Higher Education 1993-2003
Harper Vol 7 No 2 October 2003

and untapped areas for research and practice
Editorial Vol 12 No 1 April 2008
Williamson Vol 12 No 1 April 2008

at Victoria University, Wellington
Manhire Vol 6 No 1 April 2002

view of creative writing courses as 'cults of authorship'
Editorial Vol 11 No 1 April 2007

Writer/Researcher in the Academy
Cole Vol 10 No 2 October 2006

See also Creative writing: development of a discipline
See also Research Quantum and creative works
See also Writers: and Teaching

Varuna Writers Centre

Writing programs
Brewer Vol 5 No 2 October 2001

Vogel award see Literary awards

Women

Collaboration and research
Beck et al Vol 12 No 2 October 2008

and Cyberspace
Bourke Vol 1 No 2 October 1997

and food writing
Brien 12 No 1 April 2008

Older women and community groups
Travers Vol 1 No 2 October 1997

Writing and publishing project
Hutchison Vol 2 No 1 April 1998

See also Feminism

Writers

and Depression
Webb Vol 7 No 1 April 2003

Earning a living
Kroll Vol 2 No 1 April 1998

and Language: see Language

and Setting
Krauth Vol 7 No 2 October 2003

as Teachers in USA
Chan Vol 6 No 1 April 2002

and Teaching
Travers Vol 3 No 2 October 1999
Jach Vol 6 No 1 April 2002

and teaching in the academy
Kroll Vol 10 No 2 October 2006

and walking
Krauth Vol 12 No 2 October 2008

Writing

Appealing and accessible fiction: children and young people (boys)
Opie Vol 9 No 2 October 2005

Like swimming
James Vol 5 No 1 April 2001

Methodology and the creative PhD
Avieson Vol 12 No 2 October 2008

Obituaries
Starck Vol 5 No 2 October 2001

Online see: Online writing

and quality of academic manuscripts
Editorial Vol 10 No 2 October 2006

and walking
Krauth Vol 12 No 2 October 2008

Writing ficto/historical novels

Fictional Fears and Guarded Facts: An Experience in Writing a Ficto-Historical Novel
Simms Vol 8 No 2 October 2004

Fiction Writing: Theft or Weft?
Lynch Vol 9 No 1 April 2005

Writing groups: see Community groups

Writing Obituaries

Obituaries
Starck Vol 5 No 2 October 2001

Writing programs

Role and nature of undergraduate programs
Woods Vol 3 No 1 April 1999

Potential role in providing guidance to the student's 'Romantic ego'
Edmonds Vol 9 No 2 October 2005

see also University programs
see also Varuna

Writing Workshops

Case studies
Travers Vol 3 No 2 October 1999

Types and methods
Travers Vol 3 No 2 October 1999

Writing exercises
Boey Vol 9 No 2 October 2005

Return to Home Page

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TEXT
Vol 13 No 1 April 2009
http://www.textjournal.com.au
Editors: Nigel Krauth & Jen Webb
Text@griffith.edu.au