The Journal of the Australian Association of Writing Programs

Vol 8 No 1


ISSN: 1327-9556



Bob Perelman
The New and its Reproductive Practices

Andrew Taylor
Memory and Innovation: Creative Writing and the Avant-garde

Gerry LaFemina
Lab Work: Creative Writing, Critical Writing, Creative Obsessions and the Critical Essay

Wendy Michaels, with Sue Lammert, Sue Lockwood and Karita Robinson
The Writer as Composer: The Place of Composing in New South Wales English Syllabuses

Harry Aveling
A Short History of Western Translation Theory

Jennifer Webb
Multiple and contradictory interpellations: or, How to juggle cats

David Sornig
Picturing the Story: Image and Narrative in Brian Castro and W.G. Sebald

Phillip Edmonds
Respectable or Risqué: Creative Writing Programs in the Marketplace


Jayne Fenton-Keane
Vaginal Dialectics: Mama Freud and the French Possessionists


Elaine Martin and Judith Booth (eds) Courageous Research reviewed by Kevin Brophy

Lisa Dethridge Writing Your Screenplay reviewed by Charlie Strachan

Kevin Brophy Explorations in Creative Writing reviewed by Glen Phillips

Rebecca McClanahan Word Painting: A Guide to Writing More Descriptively reviewed by Julienne van Loon


Return to Back Issues
Return to Home Page

Vol 8 No 1 April 2004
Editors: Nigel Krauth & Tess Brady