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TEXT prose
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Susan Presto
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The poethical wager |
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At first she thought that if she stood very still for long enough, the plants would resume communication. It began to become apparent however, when no breeze was present, that they never stopped. Through close observation and measurement, grew an understanding of the ways in which this happened. (15) The only measurement unable to be logged efficiently was that of time. As her garden began to flourish through her care, she began to neglect appointments and deadlines in a way that was foreign to her life before. The beguilement would grow and wane as the patterns of growth and bloom were tamed, but the sense of responsibility never left her. Soon every space was filled and the line from one plant to another blurred until it became one thing. She felt a charge of power every time her fingers touched the moist dirt to push a seed into its depths, so she kept going. The sense of hope and expectation was heady. And the garden inevitably responded to every little touch and consideration. At first she thought it may have been her imagination, however, she could have sworn the plants leaned towards her as she passed by. (7) Barefoot, she could enjoy the rubbery grasp of parsley and the heavy soporific aroma of oregano as it threw itself under her feet and stained her toes. The breeze rustling the lilies outside her window woke her up. Digging at the base of the plant was not easy. The dense growth made for some tough old patches and she threw her back into it. Yanking on a difficult patch which gave way suddenly, found her flat on her back. (9) It was a surprisingly soft landing and she was pleased to see none of the majestic flower-heads had been caught under her. She got up slowly, enjoying the tug of the leaves on her skin as she dusted herself off. The nodding heads of the lilies tapped at her shoulders and back. The breeze could have picked up. She woke when it was dark and watched the plants separate for her as she made her way inside and onto her bed where she slept until the sound of the Jacaranda knocking on the roof woke her up. The bed was covered in rich golden pollen. (10, 9) The wind picked up or the branches scratched against the roof and the walls.
Bibliography 1. Brown, P. M. (2004). Poethics: Levinas, Shakespeare, Joyce. Brown, New York: New York University Press. 2. Cecire, N. (2015). Experimentalism by Contact. Diacritics, 43(1), 6-35. doi:10.1353/dia.2015.0003 3. Dagnino, A. (2015). Transcultural writers and novels in the age of global mobility. West Lafayette IN: Purdue University Press. 4. Deleuze, G., & Guattari, F. (2009). A thousand plateaus: Rhizomes. Berkeley, CA: Venus Pencils. 5. Grotjohn, R. (2015, 04). Mongrel Poethics: Harryette Mullen’s Sleeping with the Dictionary. Feminist Studies in English Literature, 23(1), 73-102. doi:10.15796/fsel.2015.23.1.003 6. Hatlen, B. (2001). Joan Retallack: A Philosopher among the Poets, a Poet among the Philosophers. Contemporary Literature, 42(2), 347. doi:10.2307/1209126 7. Krauth, N. (2016). Creative writing and the radical: Teaching and learning the fiction of the future. Bristol: Multilingual Matters. 8. Lasky, K. (2013). Poetics and Creative Writing Research. In Research Methods in Creative Writing (Eds J. Kroll & G. Harper), 14-33. Bristol: Multilingual Matters. doi:10.1007/978-1-137-27254-6_2 9. Orwell, G., Orwell, S., & Mackay, J. A. (1968). George Orwell: Collected essays. London: Secker & Warburg. 10. Retallack, J. (2014). Poethical Wager. Berkeley: University of California Press. 11. Silva, D. F. (2014, 06). Toward a Black Feminist Poethics. The Black Scholar, 44(2), 81-97. doi:10.1080/00064246.2014.11413690 12. Tabone, M.A. (2016). Narrative Wreckage: Terror, Illness, and Healing in the Post-9/11 Poethics of Claudia Rankine. In Terror in Global Narrative (Eds G. Fragopoulos & L. Naydan), 95-117. London: Palgrave Macmillan. doi:10.1007/978-3-319-40654-1_6 13. Toye, M.E. (2010, 04). Towards a poethics of love. Feminist Theory, 11(1), 39-55. doi:10.1177/1464700109355212 14. Toye, M.E. (2011, 05). Donna Haraway’s Cyborg Touching (Up/On) Luce Irigaray’s Ethics and the Interval Between: Poethics as Embodied Writing. Hypatia, 27(1), 182-200. doi:10.1111/j.1527-2001.2011.01198.x 15. Weisberg, R.H. (1992). Poethics and other strategies of law and literature. New York: Columbia University Press. 16. Williams, D. (2006). Poethics: Twentieth-century Apologia in T.S. Eliot, Joseph Brodsky, Seamus Heaney and Geoffrey Hill. Oxford: Oxford University Press 17. Wolfreys, J. (2010). Notes Towards a Poethics of Spectrality. In Reading Historical Fiction (Ed K. Mitchell et al), 153-171. London: Palgrave Macmillan. doi:10.1057/9781137291547_10
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Susan Presto is a PhD student at Griffith University and owner of Presto Creatives, a warehouse space on the Gold Coast where creative minds meet and showcase their work. Her story ‘Death of the author’ appeared in TEXT Vol 22, No 1.
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TEXT Vol 23 No 1 April 2019 http://www.textjournal.com.au General Editor: Nigel Krauth. Editors: Julienne van Loon & Ross Watkins Creative works editor: Anthony Lawrence text@textjournal.com.au |